To go is a verb that refers to a movement, without being specific about its nature. Walking, driving or floating, for example, are much clearer in this respect; they describe the movement as something that is connected to the body. In 'Momentum', as viewer, we go in one slow movement through a sequence of spaces. Through corridors, rooms, doors, over balustrades onto a patio, to the street, and then back inside through an open window. Having acquired the ability to take spatial barriers effortlessly, we seem to be losing our physical form. The disappearance of our body silently echoes in the total absence of people in the places we pass through. And perhaps also in the voice we hear, the voice that tells us about an undefined loss.

Anouk de Clercq (°1971) studied notation and piano at the musicschool in Ghent and film at the Sint-Lukas Art Academy in Brussels.
Besides mixing different artforms in her videowork – combining images, text, music, animation and architecture in video-installations – she also regularly collaborates with artists working in different fields: musicians, choreographers, writers, architects, fashion and graphic designers.
Anouk de Clercq lives and works in Brussels, Belgium.
http://www.portapak.be

Shafts of light and the camera are moving through the dark as in a glissando. Flat, sharply cut forms appear in black-and-white and high definition. They feel their way along expanses of wall, opening up storeys, windows and doors, and break down on floors, stairs and columns. In this way, according to a controlled choreography upheld by the music of Antoni Aeki, a truly architectural experience is created on the screen. Like a constructivist audiovisual mobile, the building reveals itself and is being documented as in an architect’s dream. In other words: as a spatial and atmospheric starting point for users to start leaving their marks on it.
'Building' is inspired by the new concert hall in Bruges and thereby also pays homage to the work of Robbrecht and Daem, the Belgian architects’ collective which is well known for such exploits as the new Boymans van Beuningen Museum building in Rotterdam and the AUE pavilions in Almere.

Born in 1972, lives in Berlin.

Found footage-video about drugged people in movies.

My works deals with the forms, expression and functioning of inner and outer identity. There is O-Identity as role play, as a context dependent construction (I without self ). O-Identity does not provide for any answers and has to continuosly be rearticulated.. I-Identity is the concept of the primeval soup - an energy, that we all have - as a grail of authentic experience.

Adad Hannah was born in New York in 1971, and currently lives in Montreal where he is a PhD candidate at Concordia University. His video Stills have recently been presented at WRO 05 11th International Media Arts Biennale (Poland 2005), G39 (Cardiff 2005), Viper Basel (2004), Loop 04 International Video Art Fair (Barcelona), SeNef Festival/Ilmin Art Museum (Seoul 2004), Big M, Mediakunst Tour (Groningen, Amsterdam, and Nijmegen 2004), and Artists Space (New York 2003). Nationally he has shown at Ace Art, Alternator, B-312, Dazibao, MSVU, Optica, SAW, Séquence, and TPW. In 2004 he won the Images Festival Installation/New Media Award (Toronto), and the Bogdanka Poznanovic Award at Videomedeja 8.
http://adadhannah.com

Adad Hannah’s Stills are a combination of performance art, video art and photography. The image moves, but, from beginning to end, shows the performers carrying out one single frozen action. Hannah calls them long exposure videos, with the takes lasting between five and fifteen minutes, and being shown in real time without sound or editing. They are reminiscent of tableaux vivants, a popular nineteenth-century form of art in which groups of actors represented (mostly) paintings before an audience. These tableaux owed their effect particularly to the possibility of reinforcing the conveyance of the image by combining greater physical presence with time for contemplation within a theatrical setting.