S. Connolly: The Reading Room

The Reading Room traces the movement of visitors to the British Museum reading room through an entire working day in under three minutes and in silence. It is a short reflection on the changing nature of archives. The film notes that access to them is not guaranteed abd the physical location of an archive may still be alluring, even as a museum.

Dietmar Offenhuber: besenbahn

Perceiving perception: Through media, this is simultaneously possible and impossible. The important thing about moving images is what is moving rather than what is causing the movement. But the fact sometimes tends to be forgotten that the animated image could not exist without the viewer's illusionary assumption that he or she is not seeing individual frames but continious motion. As a result, it should not surprise when film or videographic experiments are at their core reflections on forms of perception conveyed through various media, their purpose to make accessable the circumstances under which sensuous experiense takes place, which are directed by the media.

Igor Krenz: Things

Artists persistent exercises with things in front of the white wall of his studio.

J. Romero: Places Without Engine

Project in process which attempts to stage neurotical narrative through domestic dialogues, dominated by the change, which one becomes the only permanent and the lead player. Images and graphics work as a nervous vision and they interpret the structure of dialogue but not its meanings. It is a database narrative developed by electronic details in a stage that can be endlessly replicated, morphed, and mutated, reflecting on the idea that thanks to technological devices we can represent objects everytime less natural under form of objects everytime less concrete/specifical.

Organization and design of space

Women's role in patriarchal spatial order. Women wearing chambermaid uniforms are wandering through the raw structure of a building under demolition.