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Breakdown Dream17:35, Color, Stereo, BE, 2006
The work of Messieurs Delmotte is situated somewhere between reality and imagination, somewhere between genius and dilettantism. Delmotte is distinguished by his dress code and facial appearance. He always presents himself in a two- or three-piece suit. His semi-long hair is another distinctive trait, overabundantly daubed with gel, combed flat against his head and cut straight across at the bottom. The finishing touch, an exceedingly precise stripe down the middle, completes the geometric coiffure. Delmotte puts forth a character who dashingly barrages his audience with gestural discoveries that are as unpredictable as they are absurd. In all this merriment and nonsense lies the existential and poetic revolt of the work. It is always about interfering in a situation, about engaging an hilarious and heroic battle with the trivial object, a character of a given circumstance. In Delmotte's opinion, society is irrational and possesses insufficient sense of fairness and common sense to dismantle the mechanisms of social conditioning that determine our existence. This explains his escape into the ridiculous, the absurd, the moments of abandoning good taste as an outlet for that which refuses to do battle with society. The physical commitment of his own body as an instrument of unruliness plays a cardinal role. |