Born in 1963. Italian, Videoartist, Musician, Netartist, Performer and Painter.
Lives in Brühl Germany.
http://www.khm.de/~marcello/

Arithmetic operations, mathematical conventions. The Capital-Scene. Reconstruct the 3D coordinates of the 2D points that are tracked ... to Temporary autonomous Zones...Wireframe? Quickshade? Realistic? Segment Memory in limited region. Surface without control, points or handles. Commands less destructive. Big brains in the selection and elimination. The Capital: Extremely long reponse times, consistent errors. Marked confabulation and ideational perseveration on Logical Memory. A 3-dimensional grid x-y-z coordinates. Proof-schema A gravitational pull in pixels perframe. Substitution - consistency - conjuntion. Superposition between sequences. Visual Reproduction and Associative Learning. Function Random... Pushing images. Documentary, 3D tangential and irrelevant from documentalistic images.

I have imagined an accident- a finger-cut, that actually happened to me in 1973, watched by a cat. The parallel pereption of man and animal. I have animated this explosive process of pain transmission, with neurally-inspired models.
Parallel, distributed information processing. 1014 Synapses, 10-6 m, 30W, 100HZ, a wide range of physical and biochemical reactions; the norepinephrine-serotonin system; the calcium-channel blockers; the brain astroglial cells; the feeling and the regulation of the emotions in the brain; the limbic system and ist connections, etc. How we feel and learn? How works this slow hardware? A massive answer, may be. I have used very high sound frequencies in order to put in evidence the voltage-gated channels,and the impulses jumping the gaps-all the bio-electrical process. The trigger animated-patterns.