A presentation of the Argos collection, curators: Anke Buxmann, María P. Cruz
Jacques-Louis Nyst A pioneer when it comes to working with video in Belgium, Jacques-Louis Nyst (BE, 1942-1996) produced a considerable body of work in this domain, covering a period of over thirty years.
L’Objet 11:00, 1974, B/W, Sound
Steve Reinke Inspired by Cage's words, Steve Reinke (CA, 1963) records a 'scientific' experience.
Squeezin sorrow from an ashtray 05:45, 1997, Color, Sound
Emily Vey Duke and Cooper Battersby In The Fine Arts Emily Vey Duke (CA, 1972) and Cooper Battersby (CA, 1971) mock their own lack of inspiration: a woman confesses that she's speaking French in the nude because she has no good ideas but admits that her solution is unoriginal.
The Fine Arts 03:38, 2002, Color, Sound
Haral Thys, Jos de Gruyter The Bucket begins with a very trivial situation, namely a man and a woman decide to repaint their living room...
The Bucket ends with the murder of the man and woman by the mysterious bird-men.
The Bucket 18:17, 2001, Color, Sound
Messieurs Delmotte The work of Messieurs Delmotte (BE, 1967) is situated somewhere between reality and imagination, somewhere between genius and dilettantism. In Delmotte's opinion, society is irrational and possesses insufficient sense of fairness and common sense to dismantle the mechanisms of social conditioning that determine our existence. Delmotte is distinguished by his dress code and facial appearance. The physical commitment of his own body as an instrument of unruliness plays a cardinal role.
Des faits et des gestes 17:22, 2000, Color, Sound
Messieurs Delmotte The work of Messieurs Delmotte (BE, 1967) is situated somewhere between reality and imagination, somewhere between genius and dilettantism. In Delmotte's opinion, society is irrational and possesses insufficient sense of fairness and common sense to dismantle the mechanisms of social conditioning that determine our existence. Delmotte is distinguished by his dress code and facial appearance. The physical commitment of his own body as an instrument of unruliness plays a cardinal role.
Ce qui est fait le mal est fait 06:40, 1997/98, Color, Sound
Michel François Michel François (BE, 1956) lives and works in Brussels. He combines industrial and natural objects, photography and installations. In his work he conceives his personal perception on reality, he analyses everyday images and actions, tracing for the unexpected and the beauty of the familiar.
L’arpenteur 00:31,1993, Color, Sound